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(Im)material matters

2022
Research of material and immaterial
relationship to our digital privacy, KABK

By researching our relationship to smartphones, I realized that our codependency results in using them as an extension or as a replacement for our cognitive processes. Our mental tasks like remembering numbers or orientation skills transferred to the internal memory of the phone, which blurred the boundaries between the “self” and “other”.


With the use of Google maps our phones completely changed how we orientate ourselves in our environment to the extent that Google knew my location better than I did, but what does that mean for my “mental“ privacy? My location history data, which can be sold to third-party companies, showed not just the locations I visited, but also how often, and for how long. Therefore, I used the data to make a heatmap and visualize my activity in Den Haag. Then I materialized the map into a personal landscape as a conversation object, which would depict data as something that emerges outside of the digital world.

The process of visualising data.

Heat map of my activity in Den Haag.

3D landscape of my activity in Den Haag.

Conversation piece: plaster landscape and projection. 

Digitalization of Ceramics

2022
Material research for conductive ceramic glazing, KABK

This research is trying to explore the question of what would digitalization of ceramic objects look like. As a case study, I focused on a ceramic object called a bird whistle, which was commonly crafted in traditional Slovenian pottery. The traditional ceramic whistle could be played as a simple ocarina, but I wanted to redesign the object in a way to be played digitally by touching the conductive glazing. The glazing, therefore, acts as a touch sensor with which it is possible to play sounds through speakers connected to Arduino.

Boy blowing ceramic whistle, Slovenian Ethnographic Museum Collection.

Conductive glazing.

Bird whistle in different forms.

Conductive glazing on ceramics.

Digital "bird whistle" with conductive stripes for playing. 

© Nina Škerjanc 2022

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